Flann O'Brien: Contesting Legacies -- Book Review

http://www.corkuniversitypress.com/Flann-OBrien-p/9781782050766.htm

Flann O'Brien: Contesting Legacies

By

Ruben Borg, Paul Fagan and Werner Huber 

Employing a wide range of critical perspectives and new comparative contexts, Flann O’Brien: Contesting Legacies breaks new ground in O’Brien scholarship by testing a number of popular commonplaces about this Irish (post-) Modernist author. Challenging the narrative that Flann O’Brien wrote two good novels and then retired to the inferior medium of journalism (as Myles na gCopaleen), the collection engages with overlooked shorter, theatrical, and non-fiction works and columns (‘John Duffy’s Brother’, ‘The Martyr’s Crown’, ‘Two in One’) alongside At Swim-Two-Birds, The Third Policeman, and An Béal Bocht. The depth and consistency of O’Nolan’s comic inspiration that emerges from this scholarly engagement with his broader body of work underlines both the imperative and opportunity of reassessing O’Brien’s literary legacy.


Challenging the critical standard of O’Brien as a provincial writer, these essays reveal his writing as a space that uniquely complicates the old lines between stay-at-home conservatism and international experimentalism. Renegotiating O’Brien’s place in the European Avant-Garde alongside tensions closer to home – Republicanism, the Gaelic tradition, the Dublin literary scene – the collection reveals as outdated prejudice the dismissal of his talent as a matter of localised interest.


Finally, the contributors excavate O’Nolan’s oeuvre as fertile territory for a broad range of critical perspectives by confronting some of the more complex ideological positions tested in his writing. Employing perspectives from genetic criticism and cultural materialism to post-modernism and deconstruction, the essays gathered in this volume address with new critical rigour the author’s gender politics, his language politics, his parodies of nationalism, his ideology of science, and his treatment of the theme of justice.

Ruben Borg and Paul Fagan are to co-founders of the International Flann O'Brien Society. Werner Huber was the host organiser of the 2011 Flann O'Brien Centenary Conference at the Vienna Centre for Irish Studies; the largest conference ever held on the author.

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This book review appeared in Stylus: Trade, Academic, and Professional Books - Fall 2014, book catalogue. For more information about, and to place an order of "Flann O'Brien: Contesting Legacies," please check Stylus/Cork University Press website.

Flann O'Brien: A Portrait of the Artist as a Young Post-Modernist -- Book Review

https://cup.presswarehouse.com/books/BookDetail.aspx?productID=296460 

Flann O'Brien

A Portrait of the Artist as a Young Post-Modernist

2nd Edition

by Keith Hopper

Flann O’Brien’s The Third Policeman, completed in 1940, was initially rejected by his publishers for being "too fantastic", and only appeared posthumously in 1967. Since then O’Brien has achieved cult status, although critical appraisal of his work has focused almost exclusively on his first novel, At Swim Two Birds (1939). By 1940 O’Brien was confronted with two towering traditions: the jaded legacy of Yeats’s Celtic Twilight and the problematic complexities of Joyce’s modernism. With The Third Policeman, O’Brien forges a powerful synthesis between these two traditions, and the paraliterary path he chooses marks the historical transition from modernism to post-modernism.



This groundbreaking study, first published in 1995 and now substantially revised, reconfigures O’Brien as a highly subversive writer within a rich and fertile literary landscape: indisputably Irish yet distinctly post-modern. It identifies The Third Policeman as a subversive intellectual satire, in the cutting-edge tradition of Swift and Sterne, and situates it as one of the earliest – and most exciting – examples of post-modernist fiction.

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This book review appeared in Stylus: Trade, Academic, and Professional Books - Fall 2014, book catalogue. For more information about, and to place an order of "Flann O'Brien, A Portrait of the Artist as a Young Post-Modernist," please check Stylus/Cork University Press website.